Radical. Playful. Iconic. During the 60s, 70s and 80s, Joyce Wieland’s humorous and biting artistry helped give shape to this country’s changing ideas about gender, nationhood and ecology. An artist of great influence, whose work included textiles, collage, print, drawing and film, her legacy lives in the works of subsequent generations.

In this ambitious retrospective, the first since 1987, more than five decades of artistic output come together to highlight the breadth and originality of her practice and to position her as a key figure in 20^th century art and film. In addition to situating Wieland’s work in its artistic, social and political context, the exhibition will highlight the many ways she anticipated current debates about feminism, social equity and ecology.

The exhibition is curated by Georgiana Uhlyarik, Fredrik S. Eaton Curator of Canadian Art, AGO and Anne Grace, Curator of Modern Art, MMFA.

Joyce Wieland: Heart On is organized by the Art Gallery of Ontario and the Montreal Museum of Fine Arts.

PDF of Exhibition Catalogue available upon request at wendy.so@ago.ca

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CONDITIONS OF USE:

Reproductions must be accompanied by the name of the artist, the title and date of work, the owner credit line, the copyright holder and photo credit. Reproductions must not be cropped, overprinted, tinted or subject to any form of derogatory treatment without the prior approval of the copyright owner.

For high-resolution, print quality images, please get in touch with media@ago.ca.

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Highlighting new acquisitions and unseen works from the AGO’s Photography Collection, this poetic exhibition takes visitors on a journey from Mexico to Argentina, from the 1920s to today. “Recuerdo,” which in Spanish can mean both “memory” and “I remember,” – reflects the exhibition’s unique display of collective and personal stories, while exploring what it means to consider art of and from Latin America. Juxtaposing photographs from press collections as well as works by artists once known and noted photographers, including Manuel Alvarez Bravo and Tina Modotti, this exhibition is curated by AGO Curatorial Assistant Marina Dumont-Gauthier.

The AGO is grateful for the generous support of a Photography Fellowship provided by The Schulich Foundation.

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Images

CONDITIONS OF USE:

Reproductions must be accompanied by the name of the artist, the title and date of work, the owner credit line, the copyright holder and photo credit. Reproductions must not be cropped, overprinted, tinted or subject to any form of derogatory treatment without the prior approval of the copyright owner.

For high-resolution, print quality images, please get in touch with media@ago.ca.

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A prodigious collector of contemporary art, the late Phil Lind (1943-2023) was drawn to artworks that illuminated social and political histories. An enthusiastic supporter of what has since come to be known as the Vancouver school of conceptual photography, this exhibition features works by noted Vancouver-born artists Stan Douglas, Rodney Graham, Ron Terada and Jeff Wall. Complementing these lens-based works – some intimate, some large-scale light boxes, some multimedia – are paintings, photographs and sculptures by Thomas Demand, William Eggleston, Antony Gormley, Philip Guston, William Kentridge, Thomas Ruff, Laurie Simmons, Wolfgang Tillmans and Ai Weiwei.

This exhibition is organized by the AGO and curated by AGO Associate Curator of Modern Art Adam Welch.

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Images

CONDITIONS OF USE:

Reproductions must be accompanied by the name of the artist, the title and date of work, the owner credit line, the copyright holder and photo credit. Reproductions must not be cropped, overprinted, tinted or subject to any form of derogatory treatment without the prior approval of the copyright owner.

For high-resolution, print quality images, please get in touch with media@ago.ca.

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Moments in Modernism highlights the diversity and high quality of the AGO’s modern art collection, which has been built over time by generations of museum curators and patrons. 

This installation will show collection strengths from artistic movements such as Pop Art, Abstraction, Realism, and Minimalism.  An international approach in artistic styles will be presented, including a body of work from the AGO holdings by Brazilian artists, recognizing the global nature of modernism. A selection of contemporary works that respond to modernist movements will also be shown. 

Many of the artists, including Andy Warhol, Helen Frankenthaler, Jules Olitski, Gerhard Richter, and Mark Rothko are well known while others are still yet to be broadly recognized such as Tomie Ohtake, Rubem Valentim, Gene Davis and Kazuo Nakamura. A particular focus will be Canadian artists including Alex Colville, Rita Letendre, Jack Bush, Agnes Martin, Guido Molinari and Norval Morrisseau.

Moments in Modernism features artworks that will form the cornerstone for the expansion of the new Dani Reiss Modern and Contemporary Gallery, starting construction in 2024.  The new building is being designed by architects Diamond Schmitt, Selldorf Architects and Two Row Architect to showcase the AGO’s growing collection of modern and contemporary art.

This exhibition is organized by the Art Gallery of Ontario.

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Images

CONDITIONS OF USE:

Reproductions must be accompanied by the name of the artist, the title and date of work, the owner credit line, the copyright holder and photo credit. Reproductions must not be cropped, overprinted, tinted or subject to any form of derogatory treatment without the prior approval of the copyright owner.

For high-resolution, print quality images, please get in touch with media@ago.ca.

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Meet Couch Monster: Sadzěʔ yaaghęhch’ill, a bold new sculpture by acclaimed contemporary artist Brian Jungen. This work is the museum’s first ever public art commission, and will be situated at the corner of Dundas and McCaul Streets – the former setting for Henry Moore’s Large Two Forms (1966–1969).  

Jungen is renowned for his artworks made of repurposed consumer goods and modelled this work from second-hand leather furniture – the pieces of which are fully visible. The sculpture measures five and a half meters long, and is located adjacent to the AGO. A monument to creative form and engineering, this sculpture is his first large-scale work in bronze.

Intrigued by the tragic story of Jumbo, a captive circus elephant who made international headlines when it was killed by a train in St. Thomas, Ontario, in 1885, Jungen is deeply concerned with the terrible price all living things pay when forced to perform for others. That concern is embedded in the title of the work.

Jungen is a British Columbia-based artist of European and Indigenous heritage (Dane-zaa) whose extensive body of work engages with both Indigenous materials and traditions, Western art history and popular culture. 

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Press Release

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Images

CONDITIONS OF USE:

Reproductions must be accompanied by the name of the artist, the title and date of work, the owner credit line, the copyright holder and photo credit. Reproductions must not be cropped, overprinted, tinted or subject to any form of derogatory treatment without the prior approval of the copyright owner.

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Additional Materials