Category Archives: Exhibitions

Making Her Mark: A History of Women Artists in Europe, 1400-1800

Introducing new artistic heroines, Making Her Mark brings together more than 230 objects from royal portraits to metal work, ceramics, textiles, and cabinetry, to demonstrate the many ways women contributed to the visual arts of Europe.

Featuring the work of well-known artists Sofonisba Anguissola, Artemisia Gentileschi, Judith Leyster, Luisa Roldán, Rosalba Carriera, Rachel Ruysch, and Elisabeth Vigée-LeBrun alongside female artisanal collectives, talented amateurs, and women working in factory settings and workshops, the exhibition invites us to reconsider what we think we know about European art history. 

Co-curated by Dr. Alexa Greist, AGO Curator and R. Fraser Elliott Chair, Prints & Drawings and Dr. Andaleeb Banta, BMA Senior Curator and Department Head, Prints, Drawings & Photographs, the decision to exclusively display objects made by women makes this exhibition unique, and among the first to put women makers of various levels of society in conversation with each other, across centuries and a continent, through their artworks.

Making Her Mark is co-organized by the Art Gallery of Ontario and the Baltimore Museum of Art.


Press Release


Images

CONDITIONS OF USE:

Reproductions must be accompanied by the name of the artist, the title and date of work, the owner credit line, the copyright holder and photo credit. Reproductions must not be cropped, overprinted, tinted or subject to any form of derogatory treatment without the prior approval of the copyright owner.

For high-resolution, print quality images, please get in touch with media@ago.ca.


Additional Materials

Life Between Islands: Caribbean-British Art, 1950s–Now

Making its way across the Atlantic to the AGO from Tate BritainLife Between Islands: Caribbean-British Art, 1950s–Now examines the relationship between the Caribbean and Britain and reconsiders British art history in the twentieth and twenty-first centuries from a Caribbean perspective.

Featuring more than 40 artists, including Frank Bowling, Aubrey Williams, Donald Locke, Horace Ové, Sonia Boyce, Claudette Johnson, Peter Doig, Hurvin Anderson, Barbara Walker and Alberta Whittle, the presentation spans a range of mediums, from paintings to documentary photography, film, and sculpture. 

Organized by the AGO and originated by Tate Britain.

Co-Curated by David A. Bailey, Director, International Curators Forum, and Alex Farquharson, Director, Tate Britain. The AGO presentation is overseen by Julie Crooks, Curator, Arts of Global Africa and the Diaspora

Life Between Islands is on view at the AGO beginning December 6, 2023. Exclusive access for AGO Members is from December 6 to December 9, 2023. Annual pass holders and the general public can visit starting December 10, 2023.


Press Release


Images

CONDITIONS OF USE:

Reproductions must be accompanied by the name of the artist, the title and date of work, the owner credit line, the copyright holder and photo credit. Reproductions must not be cropped, overprinted, tinted or subject to any form of derogatory treatment without the prior approval of the copyright owner.

For high-resolution, print quality images, please get in touch with media@ago.ca.


Additional Materials

KAWS: FAMILY

Making his Canadian museum debut, Brooklyn-based artist Brian Donnelly (1974), better known as KAWS, bridges the worlds of art, popular culture and commerce with sophisticated humour and insightful appropriation. Renowned for his larger-than-life sculptures of cartoon-inspired characters and exuberant hard-edge paintings that playfully emphasize line and colour, much like 1960s Pop artists, he blurs the boundaries between populist and elite art, bringing mass media imagery into traditional art spaces.  Straddling the world of art and design, KAWS has forged a large international following both inside and outside the art world.  

In this original AGO exhibition, KAWS: FAMILY, visitors will see more than 75 artworks including wall murals, sketches, paintings, sculptures, his altered phone booth advertisements and product collaborations. Centered in Signy Eaton Gallery, with interventions throughout the museum, the centrepiece of the exhibition is a larger-than-life painted bronze sculpture FAMILY (2021), featuring four of KAWS’ recurring figures of varying sizes posed as a nuclear family.  

Organized by the AGO, the exhibition is curated by Julian Cox, AGO Deputy Director and Chief Curator.


Press Release


Images

CONDITIONS OF USE:

Reproductions must be accompanied by the name of the artist, the title and date of work, the owner credit line, the copyright holder and photo credit. Reproductions must not be cropped, overprinted, tinted or subject to any form of derogatory treatment without the prior approval of the copyright owner.

For high-resolution, print quality images, please get in touch with media@ago.ca.


Additional Materials

Couch Monster: Sadzěʔ yaaghęhch’ill

Meet Couch Monster: Sadzěʔ yaaghęhch’ill, a bold new sculpture by acclaimed contemporary artist Brian Jungen. This work is the museum’s first ever public art commission, and will be situated at the corner of Dundas and McCaul Streets – the former setting for Henry Moore’s Large Two Forms (1966–1969).  

Jungen is renowned for his artworks made of repurposed consumer goods and modelled this work from second-hand leather furniture – the pieces of which are fully visible. The sculpture measures five and a half meters long, and is located adjacent to the AGO. A monument to creative form and engineering, this sculpture is his first large-scale work in bronze.

Intrigued by the tragic story of Jumbo, a captive circus elephant who made international headlines when it was killed by a train in St. Thomas, Ontario, in 1885, Jungen is deeply concerned with the terrible price all living things pay when forced to perform for others. That concern is embedded in the title of the work.

Jungen is a British Columbia-based artist of European and Indigenous heritage (Dane-zaa) whose extensive body of work engages with both Indigenous materials and traditions, Western art history and popular culture. 


Press Release


Images

CONDITIONS OF USE:

Reproductions must be accompanied by the name of the artist, the title and date of work, the owner credit line, the copyright holder and photo credit. Reproductions must not be cropped, overprinted, tinted or subject to any form of derogatory treatment without the prior approval of the copyright owner.


Additional Materials